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The Syncopated Piano Music of Latin America. Composed by Bill Matthiesen. Squareback saddle stitch, Solos, Style, Piano and Keyboard. Brazilliance Music Pub. Latin American. Book. 96 pages. Mel Bay Publications, Inc #99424. Published by Mel Bay Publications, Inc (MB.99424).
ISBN 9780786676354. UPC: 796279103596. 8.75 x 11.75 inches.
This collection showcases the syncopated piano music of Latin American during the nineteenth and early twentieth centuries. It features Latin rhythms, which are really African rhythms brought to the Americas by slaves and applied to the music of the European colonists. These rhythms are varied and complex and so is their history. Theyve had a widespread and profound influence on the evolution of popular music not only in Latin America, but also in the United States. The most obvious offshoots are the tango in Argentina and Uruguay and most of the other popular dances of South and Central America, as well as ragtime and jazz in the United States. Jelly Roll Morton claimed this Latin tinge is the essential element that distinguishes jazz from ragtime. These rhythms are the musical roots of groups like The Buena Vista Social Club.Includes historic tangos written by Ignacio Cervantes - Cuba, Manuel Saumell - Cuba, Juan Morel Campos - Puerto Rico, Jose Quinton - Puerto Rico, Ernesto Nazareth -Brazil, Tomas Leon - Mexico, Sebastian Yradier - Spain, Eduardo Sanchez du Fuentas - Cuba, Will Tyers - USA, Vincente Greco - Argentina, Anselmo Rosendo Mendizabal - Argentina, Angel Villoldo - Argentina, Eduardo Arolas - Argentina, Juan Maglio - Argentina.
The Syncopated Piano Music of Latin America. Composed by Bill Matthiesen. Squareback saddle stitch, Solos, Style, Piano and Keyboard. Brazilliance Music Pub. Latin American. Book. 96 pages. Mel Bay Publications, Inc #99424. Published by Mel Bay Publications, Inc (MB.99424).
ISBN 9780786676354. UPC: 796279103596. 8.75 x 11.75 inches.
This collection showcases the syncopated piano music of Latin American during the nineteenth and early twentieth centuries. It features Latin rhythms, which are really African rhythms brought to the Americas by slaves and applied to the music of the European colonists. These rhythms are varied and complex and so is their history. Theyve had a widespread and profound influence on the evolution of popular music not only in Latin America, but also in the United States. The most obvious offshoots are the tango in Argentina and Uruguay and most of the other popular dances of South and Central America, as well as ragtime and jazz in the United States. Jelly Roll Morton claimed this Latin tinge is the essential element that distinguishes jazz from ragtime. These rhythms are the musical roots of groups like The Buena Vista Social Club.Includes historic tangos written by Ignacio Cervantes - Cuba, Manuel Saumell - Cuba, Juan Morel Campos - Puerto Rico, Jose Quinton - Puerto Rico, Ernesto Nazareth -Brazil, Tomas Leon - Mexico, Sebastian Yradier - Spain, Eduardo Sanchez du Fuentas - Cuba, Will Tyers - USA, Vincente Greco - Argentina, Anselmo Rosendo Mendizabal - Argentina, Angel Villoldo - Argentina, Eduardo Arolas - Argentina, Juan Maglio - Argentina.
Adios a Cuba
Almendares
Carioca
Coquetona (Danza)
Cruz, Perigo!!
El Entreriano (Tango)
El Esquinazo (Tango Criollo)
El Panuelo de Pepa (Contradanza)
El Zurdo (Tango)
Esta Chumbado
Garoto
Ilusiones Perdidas
l Chicotazo (Tango No. 2)
La Encantadora
La Isabelita
La Luz Electrica
La Matilde (Contradanza)
La Paloma
La Quejosita
La Reina De Las Flores
Lamentos de Amor
Laura y Georgina
No Me Toques!
O Que Ha? (Tango)
Por Que, Eh? (Why, Eh?)
Que Le Importa a Usted?
Quien Sabe
Recuerdos de Gottschalk (Contradanza)
Remando (Tango)
Suipacha (Tango Milonga)
Tiene Que Ser (It Must Be)
Trocha (A Cuban Dance)
Tu (Habanera)
Vaya Una Pregunta
Vitorioso (Tango)
Vuelta al Hogar
Yo Se Lo Dire a Ustted
Preview: Habaneras, Maxixes & Tangos
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