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ماخذ

Ernesto Nazareth Guitar Solo Anthology. Sheet Music. Guitar. GTR.

ترجمه

ارنستو ناصری گیتار سولو گلچین. نت موسیقی. گیتار. GTR.

ماخذ

A collection of 28 Ernesto Nazareth compositions expertly transcribed for classic guitar solo. One of the major difficulties in trying to arrange Ernesto Nazareth’s themes for any instrument, but the piano, is to separate the melodic line from its accompaniment. both are so closely together. that is one of the strongest characteristics of his pianistic style of composition. that it becomes almost impossible to treat one of the features disregarding the other. If one did that the result would be only a pale and incomplete portrait of what was intended by the composer. That thought has guided us in the making of this book. In spite of the huge obstacles that resulted from the transposition of a piece originally written for the piano – a very rich instrument regarding the expressive recourses – to the more "modest" guitar, we always kept in mind our principal intention. to preserve at the most all the melodic dialogues of the scores, in special the ones between the melody and the bass line, both the elements that form the soul of Nazareth’s compositions. We obviously had to do some changes. Thus, for instance, in some arrangements it was necessary to transpose the original key to a more appropriate one. at the guitar view-point, of course. Some phrases or fragments had also to be written an octave higher or lower. that can be perfectly understandable if we consider the very wide melodic range of the piano and the extensive way with which Nazareth uses it. Needless to say that all those recourses were used only when it has been strictly necessary. Despite the fact that those 28 pieces are only a little portion of Nazareth’s work, this group of arrangements represents a good and representative panel. Among them there are some of Nazareth’s greatest hits. "Apanhei-te Cavaquinho", "Odeon", "Brejeiro", "Ameno Resedá", etc. as well as other not so known compositions– but no less beautiful and important. Listening to those pieces one can observe the compositional talent of Nazareth and his incredible harmonic, melodic and – specially – rhythmic versatility. Each of them has its own and unmistakable personality. The most part of the scores of this book – as well as in Nazarethian repertoire – is composed by tangos brasileiros. , Brazilian tangos. , but there are also some polcas and some of his most expressive valsas, like "Confidências" and "Coração que Sente".

ترجمه

مجموعه ای از 28 ترکیب ارنستو ناصری ماهرانه برای تکنوازی گیتار کلاسیک رونویسی. One of the major difficulties in trying to arrange Ernesto Nazareth’s themes for any instrument, but the piano, is to separate the melodic line from its accompaniment. هر دو تا از نزدیک با هم. که یکی از قوی ترین ویژگی های سبک pianistic خود را از ترکیب است. که آن را می شود تقریبا غیر ممکن است برای درمان یکی از ویژگی های بی توجهی به دیگر. If one did that the result would be only a pale and incomplete portrait of what was intended by the composer. این تفکر به ما در ساخت این کتاب هدایت. In spite of the huge obstacles that resulted from the transposition of a piece originally written for the piano – a very rich instrument regarding the expressive recourses – to the more "modest" guitar, we always kept in mind our principal intention. to preserve at the most all the melodic dialogues of the scores, in special the ones between the melody and the bass line, both the elements that form the soul of Nazareth’s compositions. بدیهی است ما تا به حال به انجام برخی از تغییرات. بنابراین، برای مثال، در برخی از ترتیبات لازم بود تا پس و کلید اصلی را به یک مناسب تر. در گیتار دیدگاه، البته. برخی از عبارات و یا قطعات نیز باید نوشته شود تا به حال یک اکتاو بالاتر یا پایین تر. است که می تواند کاملا قابل درک است اگر ما در نظر محدوده ملودیک بسیار گسترده ای از پیانو و راه گسترده است که با ناصری آن استفاده می کند. نیازی به گفتن نیست که همه کسانی که منابع فقط مورد استفاده قرار گرفت که آن را تا به شدت لازم است. Despite the fact that those 28 pieces are only a little portion of Nazareth’s work, this group of arrangements represents a good and representative panel. Among them there are some of Nazareth’s greatest hits. "Apanhei-te Cavaquinho", "Odeon", "Brejeiro", "Ameno Resedá", etc. as well as other not so known compositions– but no less beautiful and important. Listening to those pieces one can observe the compositional talent of Nazareth and his incredible harmonic, melodic and – specially – rhythmic versatility. هر کدام از آنها دارای شخصیت خود و بی تردید آن. The most part of the scores of this book – as well as in Nazarethian repertoire – is composed by tangos brasileiros. ، تانگو برزیل. , but there are also some polcas and some of his most expressive valsas, like "Confidências" and "Coração que Sente".