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ماخذ

Peter Maxwell Davies. Job. Study Score. Sheet Music. Soprano, Mezzo-Soprano, Tenor, Baritone, SATB, Orchestra. SOP. TEN. BARITONE. SATB. ORCH. Peter Maxwell Davies.

ترجمه

پیتر ماکسول دیویس. کار. مطالعه امتیاز. نت موسیقی. Soprano, Mezzo-Soprano, Tenor, Baritone, SATB, Orchestra. SOP. TEN. صدای بین بم و زیر. SATB. ORCH. پیتر ماکسول دیویس.

ماخذ

If ordering more than 10 copies, please call us on 44. 1284 725725 to check availability. This work was commissioned by the University of British Columbia through the gift of David Lemon. It was first performed on 11th May 1997 at the Chan Center, University of British Columbia, Vancouver, Canada, by Valdine Anderson. soprano. , Linda Maguire. mezzo soprano. , Paul Moore. tenor. and Kevin McMillan. baritone. , with the Vancouver Bach Choir and the CBC Vancouver Orchestra, conducted by the composer. Like Vaughan Williams in his Job. A Masque for Dancing, Davies was inspired in part by William Blake's 21 engravings for the Book of Job. His oratorio, however, is less dependent on finding parallels for Blake's visual details, given the direct poetry in David Lemon's adaptation of the Stephen Mitchell translation from the biblical original, it is hardly surprising that the spotlight should be so much on Job's suffering litany. The baritone has the lion's share of the setting, though the other soloists occasionally reinforce his plea and chorale-like episodes universalize his predicament. Davies frames with work with two seminal plainsong-like passages. there is also plenty of dramatic contrast both within Job's monologues and in the vivid orchestral writing for the smarmy Comforters, the initially shrill God who finally appears out of a dazzling orchestral whirlwind and the animal life he uses to illustrate the wonders of creation to a humbled Job..

ترجمه

اگر سفارش بیش از 10 نسخه، لطفا با ما در 44 تماس بگیرید. 1284 725725 برای بررسی در دسترس بودن. This work was commissioned by the University of British Columbia through the gift of David Lemon. It was first performed on 11th May 1997 at the Chan Center, University of British Columbia, Vancouver, Canada, by Valdine Anderson. صدای بلند. ، لیندا مگوایر. میان صدا. ، پل مور. نیت. و کوین مک میلان. صدای بین بم و زیر. , with the Vancouver Bach Choir and the CBC Vancouver Orchestra, conducted by the composer. مانند وان ویلیامز در شغل خود. A Masque for Dancing, Davies was inspired in part by William Blake's 21 engravings for the Book of Job. His oratorio, however, is less dependent on finding parallels for Blake's visual details, given the direct poetry in David Lemon's adaptation of the Stephen Mitchell translation from the biblical original, it is hardly surprising that the spotlight should be so much on Job's suffering litany. باریتون است سهم شیر از تنظیم، هر چند نوازندگان دیگر گاهی اوقات تقویت درخواست و مانند مجموعه خوانندگان قسمت خود جامعیت مخمصه خود. دیویس فریم با کار با دو معابر مانند سادهخوانی منی. همچنین مقدار زیادی از مقابل چشمگیر وجود دارد هر دو در تک گویی های شغلی و در نوشتن ارکستر زنده برای Comforters smarmy، خدا در ابتدا تیز که در نهایت از یک گردباد ارکستر خیره کننده و زندگی حیوانی او استفاده می کند به نشان دادن شگفتی های به فروتن به نظر می رسد فرصت های شغلی..