نت برگ $65.61

ماخذ

Hans Abrahamsen. Six Pieces. Score & Parts. Sheet Music. Violin. Piano. Horn. VLN. PF. Hans Abrahamsen.

ترجمه

هانس Abrahamsen به. شش قطعه. نمره. نت موسیقی. ویولن. برنامه. شاخ. VLN. PF. هانس Abrahamsen به.

ماخذ

Programme Note. Hans Abrahamsen 6 PIECES FOR HORN, VIOLIN AND PIANO.. My ’6 Pieces for horn, violin and piano’ was written in 1984 as a commission from the Danish Radio for a concert where Ligeti’s horn trio should receive its Danish premiere played by Danish musicians. My trio is based on my work ’Studies for Piano’. While I wrote these studies I tried to ’conjure up’ instrumental parts inside the piano movement. When I received the commission for a horn trio I turned to six of the studies and deepened them by ’screening them’ so that their parts and moods appeared in a clearer way. Furthermore I changed the order of the movements so a new unity appeared, beginning with a steadyly hesitating ’Serenade’ in slow-motion followed by the ’Arabesque’ which hardly gets started before it stops. Then ’Blues’, a melancholy melody and ’Marcia Funebre’, like a fossilized picture with a dramatic threatening outburst ending with a quiet but majestic melody in violin and horn, a melody that disappears in the chords of the piano. Before the last movement ’For the Children’ is a large ’Scherzo misterioso’. Hans Abrahamsen.

ترجمه

برنامه توجه. Hans Abrahamsen 6 PIECES FOR HORN, VIOLIN AND PIANO.. My ’6 Pieces for horn, violin and piano’ was written in 1984 as a commission from the Danish Radio for a concert where Ligeti’s horn trio should receive its Danish premiere played by Danish musicians. My trio is based on my work ’Studies for Piano’. While I wrote these studies I tried to ’conjure up’ instrumental parts inside the piano movement. When I received the commission for a horn trio I turned to six of the studies and deepened them by ’screening them’ so that their parts and moods appeared in a clearer way. Furthermore I changed the order of the movements so a new unity appeared, beginning with a steadyly hesitating ’Serenade’ in slow-motion followed by the ’Arabesque’ which hardly gets started before it stops. Then ’Blues’, a melancholy melody and ’Marcia Funebre’, like a fossilized picture with a dramatic threatening outburst ending with a quiet but majestic melody in violin and horn, a melody that disappears in the chords of the piano. Before the last movement ’For the Children’ is a large ’Scherzo misterioso’. هانس Abrahamsen به.