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ماخذ

Congaudent angelorum II. not to be confused with Congaudent angelorum III. Anonymous. in the same codex. Anonymous. A cappella. Sacred , Sequence hymn for the Assumption of the BVM.. Language. Latin. SAA.

ترجمه

Congaudent angelorum II. not to be confused with Congaudent angelorum III. بی نام. in the same codex. بی نام. cappella. مقدس، سرود توالی برای فرض BVM.. زبان. Latin. SAA.

ماخذ

A “sequentia” for the Assumption of the Virgin Mary transcribed from the Trent manuscript tr93. The notes' values, accidentals and colourings are as in the manuscript. The time signature is missing in all the voices, the “tempus perfectum” has been assumed from the context. The coloured notes are in "hemiolæ". In the 1st, 2nd and 6th sections the Contra melody is derived from the Superius following the “faulx bourdon” technique. The 2nd, 3rd, 4th, 6th, 7th and 8th sections are polytextual. the Contra sings the Superius’ verse when in “faulx bourdon”, otherwise it sings the Tenor’s. The notes' values within the ligaturæ are as follows. the left upstemmed notes are semibreves - the unstemmed notes are breves - the right downstemmed notes are longæ. The "musica ficta" suggestions are in the MIDI and MusicXML files.

ترجمه

"sequentia" برای فرض مریم باکره رونویسی از tr93 مقاله ترنت. یادداشت ارزشها، accidentals و رنگهای عنوان در نسخه خطی هستند. امضا زمان در تمام صداهای گم شده، "perfectum tempus" از متن در نظر گرفته شده است. The coloured notes are in "hemiolæ". In the 1st, 2nd and 6th sections the Contra melody is derived from the Superius following the “faulx bourdon” technique. The 2nd, 3rd, 4th, 6th, 7th and 8th sections are polytextual. the Contra sings the Superius’ verse when in “faulx bourdon”, otherwise it sings the Tenor’s. ارزش یادداشت 'در ligaturæ به شرح زیر است. یادداشت چپ upstemmed semibreves هستند - یادداشت unstemmed breves هستند - سمت راست downstemmed یادداشت ها longæ. "موسیقی ficta" پیشنهادات در فایل های MIDI و MusicXML هستند.